By Terence T. Finn

War—organized violence opposed to an enemy of the state—seems half and parcel of the yank trip. certainly, the USA used to be confirmed via violence as traditional electorate from New Hampshire to Georgia responded George Washington’s name to arms.

Since then, battle has turn into a staple of yankee historical past. Counting the conflict for Independence, the us has fought the military of different countries not less than twelve instances, averaging a tremendous clash each 20 years. In so doing, the targets were easy: boost the reason for freedom, safeguard U.S. pursuits, and impose America’s will upon a stricken international. often, the implications were winning as America’s army has accounted itself good. but the associated fee has been excessive, in either blood and treasure. american citizens have fought and died round the globe—on land, at sea, and within the air. absolutely, their activities have formed the realm during which we live.

In this entire assortment, Terence T. Finn offers a suite of narratives—each concise and readable—on the twelve significant wars the US has fought. He explains what occurred, and why such areas as Saratoga and Antietam, Manila Bay and halfway are very important to an figuring out of America’s previous. Readers will simply be capable of brush up on their background and acquaint themselves with these members and occasions that experience helped outline the USA of the United States.

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Extra info for America at War: Concise Histories of U.S. Military Conflicts From Lexington to Afghanistan

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It intensified the old hostility between the rich and the poor. Men who produce goods for the market with their own capital are much richer, on the average, than men regarded simply as consumers, and therefore it was the richer citizens who received government loans. ld most of the local banks had failed. Some of the farmers, however, still had unlllortgaged land or implements or cattle that they could offer as security for government loans. God k~- they needed the money, but they didn't need it more than those others who had nothing to eat anJ nothing to pledge, not even a brokend_own mule.

He was trying to speak for millions, including the middle classes as well as the poor, whose lives were not reflected in the newspapers. "It seems to me," he said in "An Appeal to Progressives," an article written at the same time as the travel pieces, but not reprinted in The American Jitters, "that at the present time the optimism of the Americans is flagging, that the morale of our society is weak ... a dreadful apathy, unsureness and discouragement seem to have fallen upon our life. " This sense of something ending was confirmed in a report (this one reprinted) that he called "The Jumping-off Place"; it dealt with San Diego, which he presented not only as the southwestern limit of American migration but also as the city with the highest suicide rate.

Ixture of anger, pity, self-pity, glee at the defeat of our enemies, and also concern for the nation. Financially, writers were less disturbed than those in other professions; most of us were used to being poor; but much as we had tried to stand apart from our pecuniary culture, we could not help feeling involved when the whole edifice, as it seemed to us, was about to collapse in the wind like a circus tent. :e Not. Less clearly expressed, but present as an undertone in these books and others, was th_e _feeling that if the society was at fault, so too were the ind~iduals composing it, and even the rebel writers.

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