By André Gide

'Là, entre les lourds piliers sans variety de l. a. salle peu éclairée, des femmes dansent, grandes, non element tant belles qu'étranges, et excessivement parées. Elles se meuvent avec lenteur. l. a. volupté qu'elles vendent est grave, area of expertise et secrète comme los angeles mort. Près du café, sur une cour commune pleine de clarté de lune ou de nuit, chacune a sa porte entreclose. Leur lit est bas. On y descend comme dans un tombeau. - Des Arabes songeurs regardent sinuer los angeles danse qu'une musique, constante comme le bruit d'une onde coulante conduit. - Le cafetier apporte le café dans une très petite tasse où l'on croirait boire l'oubli.'

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The book does not need a polish. It needs an introduction. What I'd like to do now is to leave you alone, so that you might ruminate on your memories of Bruce. How you met, how you work together... I'll come back with a writer who will give some form to it, and put it in the context of a proper introduction. Ivan Raimi: Why don't you send up some drinks and sandwiches. Something nice. And we'll start the creative process right away, Barry. EDITOR'S NOTE**** At that point, I left the room. What follows has been transcribed from the tape recording made in my office: Sam Raimi: This is horse shit.

Ivan Raimi: Fee. " It's an ugly word, but I think we need to get it out of the way before Sam comes back. Or he'll walk. Barry: But we paid the fee. The two hundred and eighty -- Ivan Raimi: Barry, you paid the starter fee. Good. Good for you. But now let's talk completion. You still owe us some kind of completion fee. And please, do it quick, before Sam gets here. EDITOR'S NOTE **** At that point I paid Ivan Raimi an additional $120 from my personal cash. Shortly thereafter, Sam Raimi entered the room.

His marriage to childhood sweetheart Dorothy lasted almost as long -- forty-three years. The Campbells, up until 1928, had been a serious, hardworking lot, but with the birth of Charles Newton Campbell, everything changed. Charlie didn't want to be another "Man in the Grey Flannel Suit" -- he had dreams in the late forties of becoming a painter, so when he attended the University of Michigan, it was to study art and history. Upon graduating, his parents persuaded him to find a "real" job -- this came in the form of a billboard inspector for the Campbell/Ewald (no relation) advertising agency in downtown Detroit.

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