By David Laskin
This is often an engrossing and relocating tale of 12 males, them all immigrants to the united states, who have been remodeled by way of their short yet excessive stories as infantrymen in WWI. They incorporated Italians, Poles, Scandinavians, Slovaks, Jews, and Irishmen. such a lot of them didn't take pleasure in army carrier, and a few of them fled their homelands to prevent conscription. prior to they have been drafted or enlisted within the U.S. army, few of them understood or cared concerning the matters that had torn aside a Europe they had left at the back of. those males weren't unusual, given that an anticipated 20 percentage of U.S. army draftees have been overseas born. Laskin tells their person tales with eloquence and feeling whereas warding off reasonable sentimentality As he strains their paths from bootcamp to wrestle in France, one could see their sluggish merging with their fellow squaddies right into a precise “band of brothers.” it is a terrific chronicle that illustrates how a few younger males have been remodeled into american citizens.
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Additional resources for The Long Way Home: An American Journey from Ellis Island to the Great War
It intensified the old hostility between the rich and the poor. Men who produce goods for the market with their own capital are much richer, on the average, than men regarded simply as consumers, and therefore it was the richer citizens who received government loans. ld most of the local banks had failed. Some of the farmers, however, still had unlllortgaged land or implements or cattle that they could offer as security for government loans. God k~- they needed the money, but they didn't need it more than those others who had nothing to eat anJ nothing to pledge, not even a brokend_own mule.
He was trying to speak for millions, including the middle classes as well as the poor, whose lives were not reflected in the newspapers. "It seems to me," he said in "An Appeal to Progressives," an article written at the same time as the travel pieces, but not reprinted in The American Jitters, "that at the present time the optimism of the Americans is flagging, that the morale of our society is weak ... a dreadful apathy, unsureness and discouragement seem to have fallen upon our life. " This sense of something ending was confirmed in a report (this one reprinted) that he called "The Jumping-off Place"; it dealt with San Diego, which he presented not only as the southwestern limit of American migration but also as the city with the highest suicide rate.
Ixture of anger, pity, self-pity, glee at the defeat of our enemies, and also concern for the nation. Financially, writers were less disturbed than those in other professions; most of us were used to being poor; but much as we had tried to stand apart from our pecuniary culture, we could not help feeling involved when the whole edifice, as it seemed to us, was about to collapse in the wind like a circus tent. :e Not. Less clearly expressed, but present as an undertone in these books and others, was th_e _feeling that if the society was at fault, so too were the ind~iduals composing it, and even the rebel writers.